Saturday, May 25, 2013

How To Save American Idol: 8 Suggestions to Fix the Show

As we all know, former reality show juggernaut American Idol has reached its lowest ratings this 12th Season. The glory days of this pioneer show are long forgotten and although I do congratulate eventual winner Candice Glover, the first female to win since Jordin Sparks in Season 6, the show needs some serious rehab. Idol geeks have been weighing on how to salvage American Idol and I thought I’d throw in my two cents.

1. ELIMINATE THE JUDGES

Calm down! What I meant was to fire all the current judges and have a panel with 3 members. Having 4 judges takes up too much airtime that could be spent learning more about the contestants. The major downfall of this season’s judges is their lack of chemistry. What use is there to hiring Nicki Minaj if she doesn’t interact with the other judges? We want a little more action from the judges table, if that’s too much to ask. Or maybe that’s a separate fee? Which brings me to my next point.

2. NO MORE CELEBRITY JUDGES

Enough with the celebrity judges!! We want honest, unbiased critique. I understand that the sympathy the celebs have for the struggles of the contestants can cloud their judgement but the only way to truly help these contestants is to give them constructive criticism. I suggest having music executives and producers as judges, people who know what they are talking about and aren’t afraid to speak their minds. Plus, having potential bosses as judges would up the ante, don’t you think? It would make the contestants work harder to impress them. Why not have Jimmy Iovine as a judge?

My basic argument against celeb judges is that the focus is taken away from the contestants and to what the judges are wearing or what new material they are promoting. In short we don’t want judges who are more focused on furthering their careers than helping these contestants break in to the music industry. As a compromise, why not have a fourth judge, a guest celebrity judge every week?

3. SONG RETIREMENT, SONG BIRTH, THEME MAKE-OVER

We hear judges going on and on about song choices but in truth, the contestants only have a short list of songs to choose from. You ARE American Idol, surely you can get license to more songs, right? We are so tired of the some old songs. Give the contestants the freedom to choose a song within the theme and do whatever it takes to get it approved. We want something fresh, exciting and unexpected! Enough of the stale Motown Week and Year You Were Born Week. Give the contestants themes that will challenge them and bring out the best in them. Why not have Rap Week? Original Song Week? A Capella Week? Songs That Made You Cry Week? Retire songs that have been performed three or more times on the Idol stage. Do not let anyone else sing songs that have been immortalized by previous contestants. Retire songs synonymous to its performer: Adam’s Mad World, David Cook’s Hello, Fantasia’s Summertime, Clay’s Bridge Over Troubled Water and Kelly’s Natural Woman to name a few.

4. FIX THE VOTING SYSTEM

Idol should take notes from The Voice and include iTunes sales in the voting system. Idol wants to produce winners who will do well beyond the bubble that is American Idol. iTunes sales is a great litmus test to see how well the public feels about the contestants. Reduce the number of times a single person can vote for a contestant. It’s hard to compete with viewers who have the luxury of time, effort and money to power vote for their favorite contestant. Votes should reflect the number of people who would most likely support a contestant’s post-Idol career not a handful of uber dedicated fans.

5. REMOVE SAVE

It’s a slap in the face of the voters. Why not just let the judges choose who is going home among the bottom 3?

6.  REINVENT THE RESULTS SHOW

Who needs awkward dancing and bad lypsynching? Lose the group numbers and condense the show to accommodate 3 performances. Feature other former contestants. We want to see some Melinda Doolittle, Siobhan Magnus, Michael Johns and Paul McDonald. Make it happen.

7. DIVERSITY, DIVERSITY, DIVERSITY

No one wants to sit through a two-hour show full of balladeers. A major turn-off for me this season was that a lot of the contestants where from the same music genres. The judges should select contestants that have a different styles, tones, ranges and personalities for the viewers who have equally differing tastes. Give us a good selection and let us decide who to put through our Top 13 or 12 or 10 or whatever.

8. “REAL” ITY COMPETITION

Enough with the manipulation!!!! Viewers are smart and can see through the obvious favouritism towards some contestants through more airtime or the pimp spot aka the last one to perform. Determine the performance order through draw lots. Give ample airtime to the contestants, especially to those who will make it through to the live rounds. Enough with the cannon fodder. Was I the only one who was disappointed when my early favourites such as Josiah Baier got eliminated and I didn’t even know why?

As much as it is a TV show, Idol does make dreams come true. However, I can’t say so much about the contestant’s, even the winners, second albums. Idol needs to go back to its roots and be a show about people struggling to make a career out of music. Make these contestants real to us. Show us how they grew up, where they grew up. Who wouldn’t go aww shucks seeing a braced faces contestant? Making them real to us makes us want to root for them, vote for them, buy their albums and be invested into making their dreams a reality.


Of course, I’m just an American Idol fan. What do I know?

Saturday, May 18, 2013

Dakasi Milk Tea

I've been on hiatus for quite a while and was awfully close to deleting this blog. I told myself that I didn't have anything to write about. But in truth, I was just lazy. I won't make promises I can't keep; so, let's just say that I'll drag myself out of bed to write once a week. Let's see how this goes. I might even make two blog entries tonight. We'll see.

Dakasi is a milk tea brand from Taiwan. It arrived to the shores of Las Islas Filipinas in 2012 and has close to, if not more than 20 stores at present. 

What sets Dakasi apart from other milk tea brands is its flavor profile. I've tasted a couple of their drinks and have yet to be disappointed. The drinks have a delicate balance between sweet and bitter. Even my brother who always orders milk tea with a sugar level of 100% is quite satisfied with Dakasi's 50% sugar level. Dakasi's blend of milk tea is more on the milk side than the tea side, which might be a turnoff to those searching for a bitter tea taste. 

My Okinawa Milk Tea

They also use a machine that shakes their milk tea instead of the usual bartender style shake-a-shake. (yeah, I just made that up) I think it's the machine that makes the texture of the milk tea creamy without having to add any cream. (unless they do, I have no idea) They brew their own tea so the milk tea didn't leave an unpleasant powdery aftertaste in my mouth. Their pearls are chewy and soft and slightly smaller than what I'm used to.

Dakasi Menu (credits to: http://aniahspeaks.wordpress.com)

Dakasi milk tea is more on the expensive side, with prices starting from 90 pesos. But not only do you pay for a good drink, you also pay for quality service. To start off, the ambiance of the place is very modern, bright and accommodating. I've also noticed that the cashier bows down a little and uses both hands to return your change. Perhaps it's part of Taiwanese culture, I'm not sure. They also use tweezers in handing you napkins and they have different colored straws in gold, bronze, yellow, dark brown and light brown. I was so tempted to ask for another one. They were so cute! 

Recommendation:
Dakasi Bubble Milk Tea 
Okinawa Milk Tea 
Charcoal Roasted Milk Tea
Orea Milk Tea (this has real Oreo bits, great for kids!)
Blueberry Milk Tea (for the more adventurous ones!)
Honeydew Milk Tea (Dakasi doesn't have a wintermelon milk tea but this is a good substitute)

Hope you guys can check out Dakasi Milk Tea and don't forget to like their Facebook page! https://www.facebook.com/DakasiPH 









Friday, March 1, 2013

Introducing The American Idol Top 20

That's a wrap for the Vegas Rounds. (Thankfully) We've seen glimpses of stardom in returning contestant Candice Glover, vocal acrobatics from Curtis Finch Jr., and, to put it nicely, a "performance" from Zoanette Johnson. But really, judges? You gave her a standing ovation? That's an insult to every person who has ever set foot on the Idol stage. 

In triumph, there is also loss. And in the past two weeks, we saw some incredibly gifted singers let go. For what reason? I don't have a clue. Oh, wait. They want a girl to win, that's why. We saw the soulful and charming Johnny Keyser sent packing. *cue tears* We also had to say goodbye to David Willis and his awesome hair and funky wardrobe and Bryant Tadeo, a boot that got one of the loudest boos from the audience, who had vocals as smooth as a blanket washed with Downy and a quite confidence I would have loved to seen more of. But perhaps, one of the biggest blows for me was seeing one of my early favorites, Josh Holliday, sent home. Sure, his voice was shaky when he went into falsetto but he sang a great original song. It's not too late, judges. Come on, let's send him back in for a surprise Top 21! No? Okay.... *sulks in a corner*

The girls are really talented this year so I was sad to see some of them go. Most of them, I blame on poor song choice. Or, at least, that's what I tell myself to prevent my miswired brain from formulating a crazy conspiracy theory. I'll surely miss Cristabel Clack's raspy voice but I agree that it wasn't her best performance. Also, can we please, please retire No One? It's a great song, and I love Alicia Keys, but it's been so overdone on Idol that it's practically a death sentence. Also, Rachel Hale and her bubbly personality and megawatt smile had to leave in order for my fave, Janelle Arthur, to continue her Idol journey.  Janelle's previous performances were strong enough to get her through despite a good performance of a vocally constricting Lady Antebellum song. Apparently, there can be only one country girl this season. Oh, well. She will be missed. 

On the other hand, I have high hopes for Juliana Chahayed who did her own arrangement of Demi Lovato's Skyscraper. Her voice is so angelic yet haunting and I love her breathy voice when she hit some of the notes. She's also a songwriter and at 15 years old, she's already a force to be reckoned with. I hope she auditions again next season! (Along with the prematurely eliminated Schyler Dixon and David Leathers Jr.) Do I even have to discuss Shubha Vedula and Jett Hermano who got conflicting critiques about staying/not staying on the piano? Add Josh Holliday to the mix and we have a migraine. So what do they really have to do judges?

Also, we got introduced to a few strong contenders in Amber Holcomb, Breanna Steer and Aubrey Cleland. These three gorgeous ladies all displayed confidence, amazing vocals and sass that Nicki Minaj was quick to relate to. These three got little to no airtime in the previous episodes and Vegas round has definitely helped their chances by introducing them to the voting public before the Live Rounds begin. However, I admit that their voices aren't as distinct to me and the voters might end up choosing just one, two at a long shot, of them to advance.

So, here's an official list of the American Idol Season 12 Top 20!

Girls:
Adriana Latonio, 17
Amber Holcomb, 18
Angela Miller, a18
Aubrey Cleland, 19
Breanna Steer, 18
Candice Glover, 23
Janelle Arthur, 23
Kree Harrison, 22
Tenna Torres, 28
Zoanette Johnson, 20

Boys:
Burnell Taylor, 19
Charlie Askew, 17
Cortez Shaw, 21
Curtis Finch Jr, 24
Devin Velez, 18
Elijah Liu, 18
Lazaro Arbos, 21
Nick Boddington, 27
Paul Jolley, 22
Vincent Powell, 29

My prediction for the Top 13: ( Ryan Seacrest mentioned a Top 10, but it's possible that the judges will decide on three wildcard picks)

GIRLS: Angela, Candice, Janelle, Kree, (Amber/Aubrey/Breanna) 
BOYS: Burnell, Cortez, Curtis, Devin, Lazaro, Paul (Charlie)

NEXT WEEK: I'll do my best to post about the performances of the Top 20 before they announce the results and I'll be blogging about one of my new favorite bands, Motion City Soundtrack! 


Tuesday, February 26, 2013

The End of the WGWG Era



Reality show veteran and Popstar machine, American Idol returns on air for its 12th season. We're getting close to seeing our Top 20, but before that I have something important to say... 

*drum roll please*

Goodbye, WGWG!!

The future Season 12 champ is going to be a girl! (I got my eyes on country cutie Janelle Arthur) 

Calm down! Calm down! Let's get organized. For those out of the Idol loop, WGWG is short for "White Guy With Guitar", a collective term for the past five American Idol winners, who are Caucasian and can play the guitar. You don't say? And if you still have no idea, the WGWGs are: David Cook (Season 7), Kris Allen (Season 8), Lee DeWyze (Season 9), Scotty McCreery (Season 10) and Phillip Phillips (Season 11).

People have been complaining that being a WGWG is the only requirement to win, vocal ability not required. Don't get me wrong. I love my WGWGs, most of them. David Cook is still one of the best American Idol winners, along the ranks of Kelly and Carrie. I hate that people use WGWG not as an adjective but as a derogatory term to pigeonhole these past winners, when in truth they could not be any more different. Don't believe me? Give 'em a listen!

 David Cook - Rapid Eye Movement (This Loud Morning)

Kris Allen - Blindfolded (Thank You Camellia)

Lee DeWyze - It's Gotta Be Love (Live It Up)

Scotty McCreery - Write My Number on Your Hand (Clear as Day)

 Phillip Phillips - Gone, Gone, Gone (The World from the Side of The Moon) 

Idol has prided itself on being “The Search for the Next Superstar” but we all know Idol is not just a talent competition, it's a popularity contest. If it were based on talent alone, Melinda Doolittle, Pia Toscano or Elliot Yamin would be champs. But since the majority of Idol viewers are women, it is more likely to get a male winner. And hey, rock music is really popular now so we can’t really blame the voting public for the eventual winner. Home was pretty successful, I heard. Sold more than a million copies, not a big deal!

This isn't to say that TPTB aka The Powers That Be haven’t been trying to get a girl to win. Of course they wouldn't just do an all female season! That must be the first sign of the end of the world, right? Since Season 10, Idol has been pimping the likes of Lauren Alaina, Pia Toscano and Skylar Laine to win, albeit unsuccessfully. From increased air time to flaming barrels (see Skylar’s performance of Didn’t You Know How Much I Loved You) and sparkly dresses to drop-dead gorgeous, they've done it all.

So why has Idol failed to produce a female winner?

Two words. Excessive pimping. Yes, we get that Idol is trying to steer us into picking a female winner but its failure stems from basically shoving these ladies down our throats. The voting public still wants to feel that they are part of their journey and part of the selection process, the beauty of Idol. And overexposure can be counterproductive. 

For this season, you can see how Idol is subtly hinting at the greatness of Angela Miller, Kree Harrison and Janelle Arthur, to name a few, but never giving them significantly more airtime than the others. They tease us enough to be interested but don’t feed us too much that we barf. Also, notice how most of the male contestants are soul singers or balladeers? There isn't a sign of a rocker for miles, I mean, that is the only logical reason for them to eliminate Johnny Keyser, right? forgive me while I wipe away my tears of agony

But Idol better watch out for Paul Jolley. Sure, he doesn’t play guitar (at least, not that we know of) but his nervousness during the earlier rounds is endearing. Plus, he is a decent country singer who could achieve greatness with the proper coaching (I’m looking at you, Iovine) and his vague resemblance to Maroon 5 frontman Adam Levine doesn’t hurt either.  

So, anyone willing to bet against me?

Saturday, February 16, 2013

We Will Always Love You: Concert Review of Jessica Sanchez Live in Manila with Special Guest Colton Dixon



Blujays, Jessica Sanchez fans, and Messengers, Colton Dixon fans, names penned during their stint on the hit show, American Idol, flocked The Smart-Araneta Coliseum on Valentine's Day to see their idols, pun intended, perform once again, barely five months since their American Idol Live Tour in September 2012.

Colton Dixon and Jessica Sanchez promoting their concert during a mall tour


Energetic Opening Act

Dixon singing Rise from his debut album
There was a strange calmness in the audience as we waited for the show to start, so the moment Colton Dixon, with his trademark mohawk opened the concert with the aptly named “Noise”, a song from his debut album, "A Messenger”, I expected the crowd to rise to their feet. Instead, the audience remained unresponsive and seated despite Colton’s charismatic energy as he worked the stage with the occasional headbanging and feet stomping.
  
The definite standouts during Colton’s WAY too short 30-minute set where those of him playing the piano and singing tenderly. He delivered the poignant Rise, an inspirational song he wrote and a cover of “Everything” by Lifehouse that were so honest, heartfelt and raw that I couldn’t help but swoon. His six-song set left me begging for more so somebody better bring this guy back soon.

The Little Diva

After a short intermission, the crowd was finally treated with what they've been waiting for as the pint-sized Jessica Sanchez, who placed second on the 11th Season of Idol, emerged on stage in a silver ensemble complete with sparkly skyhigh boots, sang a cover of “Can’t Take My Eyes Off You”, an odd and underwhelming song to open with.

The 17-year old Filipino Mexican’s first headlining concert featured twelve songs ranging from the King of Pop’s “Human Nature” to Amy Winehouse’s “Valerie”. The diva let out her inner Beyonce as she tackled the singer’s “Love On Top” oozing with confidence and stage presence. The powerhouse singer then dedicated a soulful rendition of Adele’s “Someone Like You” to the couples in the audience. I’m not sure if Jessica got the memo but isn’t Adele the patron of the brokenhearted?  

Standout Moments 

Special guest Colton then joined Jessica on stage for a duet of Skylar Grey’s "Love The Way You Lie", a song he sung on Idol. Vocals? Check. Chemisty? That’s another story. The singers barely looked at each other during the entire song and went on to sing as if they were doing solos. It was awkward to watch.
Sanchez wowing her fans with Ikaw

Jessica was a vision of perfection as she emerged in a white gown accompanied by a lone spotlight, singing the first few notes of her highly anticipated rendition of the Filipino song, “Ikaw”. While I wished I could understand what she was singing, the crowd still roared in applause, delivering the first of many standing ovations to come. A valiant effort to return to her Filipino roots but she may have bitten off more than she can chew.

Her voice was uncharacteristically raspy which made her struggle belting out Whitney Houston’s “I Will Always Love You” and the Dreamgirls hit “I Am Telling You”. The whole time I was on the edge of my seat wondering if she would hit the notes, and she did most of the time.  Her superb vocal acrobatics which barely made up for her lack of emotional investment in the songs still impressed the audience as her Idol covers were met by standing ovation after standing ovation.

Glimpses of An Artist

The concert got boring towards the middle so I was more than happy when she sung “Fairytale”, a song from her highly anticipated debut album. The age-appropriate Bubblegum Pop song showcased her carefree and fun-loving personality, something we haven’t seen much of when she sang all too many ballads and serious songs on Idol. It has an insanely catchy chorus and Jessica was obviously having fun as she danced around the stage, a vibe that we would hopefully expect from her album. 

                                                                     Sanchez dancing along to Fairytale

I left The Big Dome loving Colton but feeling indifferent towards Jessica. She is a talented singer, without a doubt, but her focus on hitting the right notes and staying on pitch stood in the way of her establishing a connection with the audience. Seeing her live, I wanted to go on a musical journey with her, instead I was treated to a contrived set of good covers here and there. But I have to remember that this is just the beginning of this 17-year old’ s long career in the music industry and she has a lot of time to improve on her craft. Given the opportunity, yes, I would like to see her perform again just to see how she’s grown as an artist. But until then, We Will Always Love You, Jessica